Festivals that use remote sites with large capacities have always provided ample on-site parking for festival-goers. With growing concerns over personal car use how are festival organisers managing parking logistics to achieve a balance of providing sufficient parking facilities against their environmental sustainability objectives. 

An often-overlooked aspect of music festival planning is noise management. The amount of noise pollution generated by a music festival is covered by a complex array of rules, regulations and codes of practice. For most organisers this is something best left to external specialist consultants but for those interested this is what the requirements cover for events taking place in the UK. 

Many music festivals promote themselves as family friendly and this can be a big draw for potential festival-goers who have children. Organisers of festivals that allow children on-site should create and make publicly available their policy on children attending the festival and measures in place to ensure child safety. 

Some of the largest music festivals attract hundreds of thousands of festival-goers and it is therefore inevitable that a large number of personal possessions go missing. Organisers of these large-scale events should have a lost and found policy in place along with slick processes and procedures for managing the potential volume of lost items and festival-goer enquiries.

On the 5th August 2021 the British government announced that they will be providing funds for insurers to offer COVID-19 related cancellation insurance to event organisers. This is a long overdue but welcome move in the UK, it has perhaps come too late to save some festivals unfortunately. What are the key points in this announcement pertinent to festival organisers. 

A large music festival attracting over 100,000 festival-goers with 50 stages and 200 artists will require a mind-numbing amount of equipment. The efficiency and management of the shipping logistics for a festival are critical to its success so what steps do festival organisers take ensure everything happens as planned.

Despite vast improvements in logistics planning thanks to advances in technology some festival owners still get it wrong. Perhaps there can be unforeseen circumstances that lead to problems but in the modern age festival organisers should now really be producing slick events resulting in great customer satisfaction. 

When a large music festival takes place over three or four days with over 50,00 festival-goers crammed into a festival site it's going to attract unwelcome pests. The country and climate of a music festival may well determine the types of pests that need consideration by festival organisers in dealing with any potential problems.

With meticulous planning months in advance the last thing any music festival organiser wants is a performance artist that goes AWOL (Absent Without Leave) hours or minutes before their scheduled set. Unfortunately, it does happen so what can festival organisers do to mitigate such circumstances occurring. 

2021 has been a mixed year for music festivals around the world with many cancellations yet a reasonable number of big-name festivals have managed to go ahead. Festival season for next year is starting to look promising and numerous organisers are planning for 2022 as an opportunity to re-launch their events. 

Every large music festival will normally have a selection of international performance artists but since the coronavirus pandemic international travel has been problematic. For music festivals with international performance artists confirmed or tentatively booked what are the travel logistics that need to be considered for festivals taking place in the summer this year. 

There has been a shift in the last five years towards use of technology by music festival organisers and this rapid change is gathering pace. What are festival organisers doing to take advantage of these changes that will make their festival more efficient, profitable and safer for festival goers for the future.   

Sponsorship funding is a key part of every music festival and without sponsors any music festival will struggle to cover their costs let alone make a profit. Having the right sponsorship strategy in place can make the difference to an event’s success but what steps can organisers take to secure those all-important deals. 

With the festival sector coming back to life in the UK and other recovering countries around the world the demand for festival staff is gradually picking up again. It has been a catastrophic 18 months for anyone working in the festival business but what new opportunities are there for employment going forwards and what are the trending occupations in demand. 

As most music festivals were cancelled in 2020 and not returning until summer 2021 it could be almost 2 years since a festival took place in the summer of 2019. This has implications for the performance of equipment and artists, how can festival organisers minimise the impact of such a prolonged closure.

Venues are getting ready to open up to capacity crowds and audiences with the proviso that visitors comply with the vaccination and testing protocols for COVID-19. Aside from more thorough routine cleaning in line with any new guidelines venue owners and event organisers should consider regular deep cleaning of their venues too. 

As large capacity events emerge from the impact of coronavirus pandemic nightclubs, concerts and music festivals will start accepting visitors again but with strict entry requirements. It is clear that in pilot schemes the evidence of vaccination or negative test results are no guarantee of excluding COVID-19 positive visitors. Can thermal temperature scanners act as a last line of defence?

With a lot of fanfare and global media attention England* entered their ‘Freedom Day’ on 19th July 2021 where most COVID-19 restrictions were removed. Although this potentially means the return of large capacity music festivals, nightclubs and live music concerts what is the reality for visitors seeking entry to a festival or live event?

The majority of festival-goers have a great experience at their chosen festival but with so many people attending events it's impossible to create a positive experience for 100% of attendees. There will always be negative feedback on just about any subject and festival organisers need to have a clearly defined strategy for handling such feedback.  

There are a minefield of rules regulations and procedures relating to health and safety for any music festival. Aside from understanding all the requirements how can these be successfully implemented to avoid any unnecessary breaches that in the worst case could lead to a premature closure of the event.